
The haunting image of Ophelia, so young and beautiful floating amongst the willows in a glassy stream stirs the imagination. The proximity of beauty, madness, and suicide is fused in the archetypal character of Ophelia, the young beauty, driven from reason to madness and finally to suicide, escaping the maelstrom of the dark forces that surround her. Using the archetypal figure of Ophelia,The Ophelia Project excavates and unravels the delicate balance between women, madness, and suicide through a multimedia physical theatre investigation. Weaving a collection of poems, historical texts, and journal entries of renowned poets Anne Sexton, Sylvia Plath and Virginia Woolfe, who tragically took their own lives and wrote prolifically about the daily struggle and agony between life, death and madness, the Ophelia Project walks the tightrope between these realms, aiming to illuminate the poetry of being in-between: life and death, madness and reason.
It
would have been impossible, completely and entirely, for any woman to have
written the plays of Shakespeare in the age of Shakespeare. Let me imagine,
since the facts are so hard to come by, what would have happened had
Shakespeare had a wonderfully gifted sister, called Judith, let us say. […] She
died young – alas, she never wrote a word. She lies buried where the omnibuses
now stop. […] Now my belief is that this poet who never wrote a word and was
buried at the crossroads still lives. She lives in you and in me, and in many
other women who are not here tonight, for they are washing up the dishes and
putting the children to bed. But she lives; for great poets do not die; they
are continuing presences; they need only the opportunity to walk among us in
the flesh. (A Room of One’s Own Virginia Woolf:113)
Some of the questions this material forces us to examine are: What social forces drive people into depression and towards addiction and suicide? This piece is an homage to their struggles, their failures, their successes, and ultimately their incredibly rich and full creative, artistic lives as a way for us to reflect on our own lives, how far we have come and how much further we have to go.
**This production is not associated with the National Ophelia Project.

















This performance is made possible in part by a grant from the Herberger College of the Arts, Arizona State University.






